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The Sault Opera LegacyA look back at the seasons and productions of Sault OperaPrinter-Friendly Pages |
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Jesus Christ Superstar
Music by: Andrew Lloyd Webber
Lyrics by: Tim Rice
Originally produced on Broadway by Robert Stigwood and MCA Inc. by special arrangement with David Land, Original Broadway production conceived by Tom O'Horgan
Presented through special arrangement with Music Theatre International, 545 8th Ave, New York, NY 10018, USA
First Production: September 10, 11, 12, and 13, 1975 at White Pines Collegiate Auditorium
Second Production: April 9, 11, and 12, 1976 at White Pines Collegiate Auditorium
Third Production: October 9, 10, 11, and 12, 1991 at Korah Collegiate Auditorium
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1975
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1976
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1991
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| Judas Iscariot | Darius Dudley | Stephen Sicoly | |
| Jesus of Nazareth | Jim Wilde | Ian McDougall | |
| Mary Magdelene | Gloria Chase | Micheline Findlay | |
| First Priest | Tom Rebane | John Fink | Steve Ianni-Palarchio |
| Second Priest | B. G. Herbert Johnson | Grover Greaves | |
| Caiaphas, High Priest | Stephen A. Budge | Keith Waldie | |
| Annas, High Priest | Dario Laurenti | Robert Laporte | |
| Third Priest | John Horrigan | Art Fink | |
| Simon Zealotes | Robert Burditt | Jay Sturley | |
| Pontius Pilate | Philip Baker | David Walsh | |
| Peter | John Gribbon | Greg Lafleur | |
| Maid by the Fire | Marg Roberts | Teresa Caughill | |
| Captain of the Guard | Jim McVety | Steve Ianni-Palarchio | |
| Old Man by the Fire | Ernie Peeling | ||
| King Herod | Denis Nadon | Chuck Febbraro | Terry McPhee |
| Queen Herodias | Karen Willert | ||
| Mary, the Mother of Jesus | Arlene Bovingdon | ||
| Signed for the Benefit of the Hearing Impaired by | Francine Giroux and Mark Swift | ||
| UNDERSTUDIES FOR MAJOR LEADS: | |||
| Judas Iscariot | Robert Burditt | ||
| Jesus of Nazareth | Dario Laurenti | ||
| Mary Magdelene | Catherine Oxenford, Marg Roberts, Laurie Walsh | ||
| Caiaphas | John Gribbon | ||
| Pontius Pilate | John Horrigan | ||
| King Herod | Chuck Febbraro | ||
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1975
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1976
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1991
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| Guitar | Electric Guitar: Michael Sicoly (Leader) - Acoustic Guitar: Barry Gilmour | Barry Gilmour, Paul Brae | Steve Burgess |
| Bass Guitar | Frank Candido | Frank Guidoccio | |
| Keyboards | Piano: Jane Anstice - Organ and Moog Synthesizer: Jeff Holmes | Piano: Jane Anstice - Organ and Moog Synthesizer: Barbara Severin | Susan Barber-Falls (Leader) |
| Percussion | John Frolick | Fred Pelletier | |
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1975
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1976
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| Conductor | Arno Ambel | |
| Concertmaster | Mary Shrubsole Walton | |
| Flutes | Mary Norman, Louise Griffith, Mary Myles | Mary Norman, Mary Myles |
| Clarinets | Vincent Fera, Linda Myles | Vincent Fera |
| Bassoon | Margaret Hooper | |
| Oboe | Katie Coyle | |
| French Horns | Walter Kimball, Patricia Misek | |
| Trumpets | George Hill, Terry McAndrews | Steve Ryan, Terry McAndrews |
| Trombone | Randy Lillie | |
| Violin I | Mary Shrubsole Walton, Carol O'Neill | |
| Violin II | Andy Kent, Gisella Keppel-Jones | Gisella Keppel-Jones |
| Viola | Angelo Calcafuoco | Andy Kent |
| Cello | Michael Keppel-Jones | |
Electric Organ and Moog Synthesizer supplied free of charge for the 1975 and 1976 productions courtesy of Arnill's Music
Sound equipment supplied free of charge courtesy of: Algoma Sight and Sound (1975) and Arnill's Music (1976)
Piano for 1976 production supplied by Soo Piano Company
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1975
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1976
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1991
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| Producer(s) | Arno and Vilma Ambel | Nancy Johnson and Diane Wysynski | |
| Director | Arno Ambel | Richard Howard | |
| Assistant Director | Vilma Ambel | Neil Carter | |
| Music Director | Arno Ambel | Susan Barber-Falls | |
| Assistant Music Director | Vilma Ambel | Steve Burgess | |
| Vocals | Bonnie Forsell | ||
| Choreographer(s) | Ruth Motiejunas, Helen Syjut, and Susan Brown | Richard Howard | |
| Stage Manager | Inara Penikis | Penny Martin | |
| Assistant Stage Managers | Geoff Summerhayes and Rachel Pickering | ||
| Staging Consultants | Darius Dudley, Denis Nadon, and Ruth Motiejunas | ||
| Lighting Consultants | Denis Nadon, Robert D'Amato, Ray Houle | Dirk Becker | |
| Sound Consultant | Jim Behl | Dennis Breckenridge, Ron Craddock | Bob McLeod |
| A/V Technicians | Colin D'Arville | Brent Krysa, Josh Beaudoin, Diane Wysynski | |
| Assisted by | Jamie MacDonald, Dennis Paplinski | Jim Lorenzo, Dennis Paplinski | Eric Larsen, Chris Sawyer, Rutger Becker, Keith Waldie, Geoff Summerhayes, Robert Creedon, Will Gartshore, Steve Ianni-Palarchio, Gerald Lavoie |
| Costume Designer/Co-Ordinator | Vilma Ambel | Lynda DiPaulo | |
| Assisted by | Mary-Ann Dacey, Frieda Daniels, Ebba Poldmaa, Retta-Jean Roy, Inge Ruck, and others | Cheryl Heslop, Laurie Walsh, Rosemary Peeling, Jane Maxwell, Nalini Jairath, Sandra Collins, Louise Griffith | |
| Properties | Barbara Baber, Barbara Duffin | Barbara Duffin | Arlene Kehoe, Theresa Morin, Donna Pickering |
| Backstage Crew | Barbara Baber, Barbara Duffin, Jamie MacDonald, Dennis Paplinski, Bety Gale, Lou LaPlaunt, John Patterson, Susan Vesala | Barbara Duffin, Michael Dacey, Phil Mackan, Gary Glew, Lori Baker, Tracey Huckson | Peter Babic, Tanya Martin |
| Set Construction | B. G. Herbert Johnson, David Feltham, Brendan Burlein, Jim Wilde, Catherine Oxenford, Robert Burditt, Stephen A. Budge, Marg Roberts, Chuck Febbraro, John Horrigan, Phil Baker, and others | Chris Shannon, Ron McBride, Tom Calvert, Mike Lavallee, David Johnson, Lindsey Johnson | |
| Rehearsal Accompaniment | Jane Anstice, Michael Sicoly, and the Rock Group | Jane Anstice, Barbara Severin, and the Rock Group | Susan Barber-Falls and the Rock Group |
| Prompter | Rosemary Peeling | ||
| Make-Up | Vera Alloi | ||
| Assisted By | Mr. Senecal, Vicky Bentley, Catherine Carbone, Sharon Hautala, Karen LaPlaunt, Coral McAlpine, Eileen Morrison, Joy Smith, Coleen Wilkinson | Louise Griffith, Christine Ward | |
| Media Publicity | Lou Turco | ||
| Programme Advertising | Arno Ambel, Members of the Cast, and others | Arno Ambel, assisted by: Kelly Babcock, Neil Carter, Teresa Caughill, Lori Disano, Art Fink, Grover Greaves, Nancy Johnson, Ron McBride, Mary-Jane Ripley, Nicole Thibodeau | |
| Programme Layout | Arno Ambel and others | Arno Ambel, assisted by: Penny Martin and Diane Wysynski | |
| Box Office | The Bank of Nova Scotia, Station Mall, Arnill's Music, Gartshore Music, No. 1 Stop Jewellry, Station Mall, Rudy Becker, Romy Bock, Brendan Burlein, Gloria Chase, Erika Dello, John Horrigan, Marisa Iacoe, Esme Johnson, Ausma Krumins, Cheryl Leroux, Jane Maxwell, Barbara McGuire, Laima Motiejunas, Ruth Motiejunas, Denis Nadon, Kelly Walsh, Jim Wilde | Merlene Lee, assisted by Arno Ambel | |
| House Box Office | Irmgard Hibbert, Yvette Meyndt, Cheryl Mitchell | Larry Whalen, Penny Hanson | Merlene Lee |
| House Manager | Ken Hibbert | Barbara McGuire | Diana Jurko |
| Ushers | Paula Bonin, Lori Martin, Carole Sutherland, Marta Huckson, Nancy Kalliojarvi | Bea Armstrong, Luke Bazely, Patrick Bazely, Vanessa Bazely, Dawn Brown, Bonnie Forsell, Adrian Gabrylewicz, Carol Gartshore, Heather Hannah, Carol McDowell, Rob McDowell, Janet Richer, Gerald Ryder, Andrea Smykacz, Kiersten Smyckacz, Ann Trudell | |
| Sweatshirt Logo Design | Steve Ianni-Palarchio | ||
| Sweatshirt Distrubution | Francine Marotta | ||
| Photography | George MacWilliams | Neil Carter | |
Slides for "Gethsemane" in the 1975 and 1976 productions prepared by George MacWilliams, material courtesy of Camera Craft
Sculptures for the 1991 production designed and constructed by Theresa Morin
Richard Howard's services for the 1991 production were negotiated through the courtesy of the Canadian Actors' Equity Association