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The Sault Opera Legacy

A look back at the seasons and productions of Sault Opera

 

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Libretto by: W. S. Gilbert

Music by: Arthur Sullivan

Production Dates and Venue

Cast

Chorus

Orchestra

Production Staff

Production Dates and Venue

First Production: May 26, 27, 28, and 29, 1982 at White Pines Theatre

Second Production: October 11, 12, 13, and 14, 1994 at Sault Community Theatre Centre

Cast

  1982 1994
Major-General Stanley Terry McPhee Tom Hendrie
The Pirate King John R. King Dave Walsh
Samuel, Pirate Lieutenant Larry Jannison Shane Halpin
Frederick, Apprentice Pirate John Keane Don Currie
Sergeant of Police Rob McDowell Art Fink
WARDS OF THE MAJOR-GENERAL    
  Mabel Carolyn Hart Joni Henson
  Edith Debbie Keating Christine Smith
  Kate Louise Griffith Rachelle Massicotte
  Isabel Désirée Ostrowski Barb Rajnovich
Ruth, Frederick's Nurse and "Piratical Maid-of-all-Work" Sonya Ostrowski Norene Morrow

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Chorus

1982 Production:

Male Chorus:

Tenor I: Jacques Chouinard, Ken Belanger, Gary Vipond, Randy Smith

Tenor II: Richard F, Richard Jenkins, Geir Moe, Henry Peeling, Ernest Peeling

Baritone I: Herb Johnson, Mark Trasle, Michael Harpe, Rutger Becker, Doug Booth

Baritone II: Roy Sutton, Jo Ramakers, Keith Waldie, Glen Wells, Adrian Gabrylewicz, Stefan Snelenko

Female Chorus:

Soprano I: Barb Johnston, Janice Kent, Melissa Ostrowski, Christa Cameron

Soprano II: Maria Burgeo, Wanda Brzezinski, Diane Cooper, Karen Hebert, Penelope Johnson, Mae Klymciw, Terry Zika

Policemen in Act II:

Herb Johnson, Mark Trasle, Michael Harpe, Doug Booth, Roy Sutton, Jo Ramakers, Keith Waldie, Stefan Snelenko

Stand-ins for Rehearsals:

Ken Belanger (Frederick), Vilma Ambel(Mabel)

1994 Production:

Wards of the Major-General:

Carrie Apostle, Tara Becker, Erin Budge, Lisa Cantin, Sara d'Amato, Jennifer Dowding, Julie Emmerson, Leah Frost, Michelle Kuisma, Shannon Maguire, Glory Richard, Mary Jane Ripley, Ann Scott, Lynn Smith, Andra Towell

Pirates:

Rudy Becker, Jason Beharriell, Josh Boychuk, Kevin Collar, David Cook, Ido Donato, Art Fink, Peter Laduceur, Andrew MacDonald, Steve Mackey, Gino Masotti, Rob Roy, Brent Running, Devon Shearsby, Chris Socchia

Policemen in Act II:

Rudy Becker, Josh Boychuk, David Cook, Ido Donato, Peter Laduceur, Andrew MacDonald, Gino Masotti, Rob Roy, Brent Running

Chauffeur of the Police Car:

Michael Muscat

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Orchestra

  1982 1994
Conductor
Arno Ambel
Concertmaster Witold Swoboda  
Manager   Carmen Eisenbichler
Honourary Concertmaster
The Late Mary Shrubsole Walton
Violin I Witold Swoboda, Carol O'Neill, Pamela Knoechlein Dr. Kim Bell, Carol O'Neill
Violin II Gizella Keppel-Jones, Alida DeLorenzi, Peter Whitby Judy Murase
Viola Karl Schier, David Wadley Carmen Eisenbichler
Cello Pawel Szymczyk-Marjanovic, Michael Keppel-Jones Bernadette Merritt
Bass Viol Hugh Stephen, Jeremy Webster Leon Bennett
Flute I
Robert Galbraith
Flute II Sandi Avery Louise Griffith
Oboe Jennifer McFarling Mike Murase
Clarinet I John Wilkinson Gertrude Wilkinson
Clarinet II Gertrude Regier Kevin Lamour
Bassoon Cheryl Walker Margaret Hooper
French Horn I Paul Harvey Rolf Hunziker
French Horn II Ron Koch  
Trumpet I George Townsend  
Trumpet II Terry Evans  
Cornet I   Larry Farnquist
Cornet II   Bob Lamour
Trombone I Robert Mackereth Thom Brauer
Trombone II Al Rickie Jeff Boissineau
Organ/Keyboard/Synthesizer
Lorraine Smith
Percussion George Nenonen Mark Gough, Sarah Boniferro

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Production Staff

  1982 1994
Producers Richard F. Jenkins, Catherine Bedell Joan Foster, Robert Laporte
Director Stephen Rutti Ruth Harcourt
Director Trainees   Patsy McLean, Matt Paradis
Play Polisher Virginia Reh  
Music Director
Arno Ambel
Assistant Music Directors   Norene Morrow (vocals), Lorraine Smith
Rehearsal Pianist
Lorraine Smith
Dance Captain   Carrie Apostle
Fight Scene Consultant   Dal Travnick
Stage Manager Dirk Becker Penny Martin
Assistant Stage Managers Alexis Bedell, Mark Molinaro Daniella D'Orazio, Stephanie Fiddler, Stephen Grady, Lauren Mullin, Amanda Zuke
Costume Design
Vilma Ambel
Costume Co-ordinator   Kate McNally
Costume Assistants   Jean Cameron, Ausma Donovan, Lynda Potvin, Tomira Sierzputowski
Wardrobe Mistress Vilma Ambel Dorrie Bailey
Assisted by:   Arlene Bovington, Stephanie Fiddler

Set Design/Concepts

Inara Penikis Ruth Harcourt, Robert Laporte, Tracy Taylor
Set Construction Paul Willert Robert Laporte
Assistants Robert Aloisio, Bruce Bedell, Jim Kahut, Ron Luxton, Chris Shannon, Denis Wood All Non Prima-Donnas
Set Painting Inara Penikis and crew All Non Prima-Donnas
Technical Director   Paul Sawchyn
Lighting Design Peter Long Paul Sawchyn, Adam Eusepi
Light Board Operator   Adam (Joe) Eusepi
Sound   George Nenonen, Chris Horsepool
Properties Catherine Bedell, Noreen Myers, Susan Barron, Sarah Lalouette Irene Boychuk
Make-Up Alexis Bedell  
Hairstyling Christel Jaeger, Kathleen Griffith, Henrietta McLurg  
Make-Up and Hairstyling   Solange Amarel, Regina Fernandes, Paula Godfrey, Raija Heikkila, Lee Ann McMillan, Carrie Stevenson
House Manager Vilma Ambel Loraine Eagleson
Hospitality   Carol Gartshore, Ann Shearsby
Programme Advertising and Layout
Arno Ambel
Assisted By Members of the Cast Carrie Apostle, Pat Cook, Don Currie, Shane Halpin, Tom Hendrie, Shannon Maguire, Penny Martin, Norene Morrow, Barbara Rajnovich, Ann Scott
Media Promotion   Arno Ambel, Joan Foster, Lou and Sandra Turco
Box Office Noreen Myers Box Office Staff at the Sault Community Theatre Centre
Photographers   Gary Huckerby, Stan Stratichuk

Ms. Reh's contribution in the 1982 production was possible through a Theatre Ontario grant. Mr. Keane's services in the 1982 production were made available courtesy of the Canadian Actor's Equity Association. Mr. Keane's accomodations courtesy of the Empire Motor Hotel.

The 1982 production was sponsored by a grant from the Ontario Arts Council Music Department, the Community Theatre Training Programme of Theatre Ontario (funded by O.A.C.) and the Ontario Programme of the Ministry of Culture and Citizenship of the Province of Ontario.

The services of Ms. Harcourt in the 1994 production were negotiated through the courtesy of Canadian Actor's Equity Association and were made possible through Theatre Ontario's Community Theatre Training Program, funded by the Ontario Arts Council and the Ministry of Culture, Tourism, and Recreation.

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